Air-Edel’s music editor and three time Golden Reel Award nominee Mark Willsher has had a busy and exciting year working on international feature films. We chatted with him to find out more about his work with Dario Marianelli on Paramount Pictures latest feature ‘Bumblebee’. 

It’s been an exciting year for Air-Edel’s music supervisor Matt Biffa, marked by receiving two honours at this year’s Music Week Sync Awards for his work on hit Channel 4/Netflix series ‘The End of the F***ing World’, directed by Jonathan Entwistle and Lucy Tcherniak.

Matt most recently completed supervising Park Chan-wook directed BBC One drama ‘The Little Drummer Girl’, based on the book of the same name by John le Carre, which stars Alexander Skarsgård and Florence Pugh. We caught up with him to find out more about the music for the series.

To celebrate the release of David Mackenzie feature ‘Outlaw King’ we caught up with Air-Edel’s Jim Sutherland and Chantelle Woodnutt who worked closely to produce the on-set music for the film, which stars Chris Pine as Robert the Bruce.

It’s been an incredibly busy year for Air-Edel’s Simon Slater. 2018 opened with the revival of National Theatre hit production ‘Amadeus’, for which Simon was the musical director and composer. We caught up with him to learn more about his other projects, including the three theatre productions currently showing in London’s west end.

Air-Edel’s Patrick Neil Doyle has had an exciting year in composing, marked most recently by the release of the ‘Harry Potter: A History of Magic’ audio book, narrated by Natalie Dormer, and two BAFTA nominations for Scottish feature documentary ‘Nae Pasaran’. We caught up with him to learn more.

Air-Edel’s Patrick Jonsson has released his first solo album ‘Suddenly We Looked Like Giants’ on Phases Records. Patrick gave us an insight into how memories of his childhood home in Sweden provided the inspiration to write this beautiful album.  

To celebrate the recent release of ‘Hiraeth’ on Air-Edel Records sub-label, Besant Hall Records, co-composer and percussionist David Kuckhermann gave us an insight to his  long-standing collaboration with Lisa Gerrard and told us about how their album came to be.